An intimately scaled retrospective of Moroccan artist Mohammed Melehi in London shows how abstract expressionism in the Middle East was culturally inspired.
Experts acknowledge the “noble intentions” of the privately owned Nabu Museum north of Beirut, but a debate also simmers over items in its collection that came from Iraq.
Teaching and working in New York, the artist opens viewers to new possibilities of seeing the mundane with curiosity and wonder.
The Venice Biennale displays the strengths of Arab artists working today and some of the political pitfalls that can await them.
Through animation and painting, Sadik Kwaish Alfraji confronts the human condition of having to leave one’s home and settle elsewhere.
A retrospective of works by Mohammad El Rawas melds lifelong themes with big political questions and allusions to the power of female forms.
Mohamed Ahmed Ibrahim, a key figure in the Emirates’ avant-garde art scene, uses vivid colors in works that blur the line between painting and sculpture.
The Saudi conceptual artist Filwa Nazer redefines herself in works that explore inner spaces and the “skins” people don to protect them.
Jeddah’s “21, 39” art week and a continuing exhibition shed light on an artistic environment that’s been gaining momentum for over a decade.
A Jesuit charity and university team up to offer a diploma that can be a steppingstone to a bachelor’s degree, fueling the hopes of refugees who want to help others in their communities.