Heba Elkayal has a master’s degree in modern art history and curation from Columbia University, has served as a consultant and staff member for numerous art collectors, galleries, and an auction house, and was the lifestyle editor for Daily News Egypt from 2008 to 2012.
Hayv Kahraman brings a unique perspective to representations of, and assumptions about, women like herself in a post–9/11 world.
The musical theater production, “We Live in Cairo,” narrates the events that led to the Tahrir Square protests and the overthrowing of a regime and then, the unraveling of a dream.
An intimately scaled retrospective of Moroccan artist Mohammed Melehi in London shows how abstract expressionism in the Middle East was culturally inspired.
Teaching and working in New York, the artist opens viewers to new possibilities of seeing the mundane with curiosity and wonder.
The Venice Biennale displays the strengths of Arab artists working today and some of the political pitfalls that can await them.
Through animation and painting, Sadik Kwaish Alfraji confronts the human condition of having to leave one’s home and settle elsewhere.
The French-Algerian artist explores the way Western countries collected art, nature and artifacts from colonized countries, then tries to repair some of the damage done by such collections.
A retrospective of works by Mohammad El Rawas melds lifelong themes with big political questions and allusions to the power of female forms.
Mohamed Ahmed Ibrahim, a key figure in the Emirates’ avant-garde art scene, uses vivid colors in works that blur the line between painting and sculpture.
The Saudi conceptual artist Filwa Nazer redefines herself in works that explore inner spaces and the “skins” people don to protect them.